100 Minories Pop-Up Museum

100 Minories Pop-Up Museum Tour

100 Minories Pop-Up Museum Tour

There are a lot of pop-ups in London, so many in fact there is a dedicated London Pop-ups website to find the most recent creations. They cover restaurants, shops and clubs, there are also art exhibitions, the most recent lists is an exhibition of ‘Breaking Bad’ character portraits that popped-up in February. However, though museums are often the location for these pop-ups, it’s not often that you see a pop-up museum.

Yesterday, I was lucky enough to go and visit one. The 100 Minories pop-up museum showcases the discoveries of an archaeological dig that took place before construction at 100 Minories, a patch of land just north of the Tower of London. The location of the dig is enough to spark my interest, but I also love the idea of a pop-up museum, and it is something that is very well suited to archaeological digs. These digs are normally temporary, they occur within a finite space within a finite amount of time and then must pack up and leave. The temporary nature of the research suits a temporary exhibition, and allows the exhibit to be close to where the action took place, something so valuable when you’re trying to imagine how the space was once used and the people that walked those streets.

100 Minories Pop Up Museum display

100 Minories Pop Up Museum display

The museum of display panels and temporary cases are kept within one of my favourite sections of the old London Wall, a space just off Cooper’s Row in a hotel car park. This isn’t directly next to the site, but the explanation boards and particularly the tour are very good for helping you get a sense of your position in relation to the site. The history presented is a wonderful example of change and adaptation in London. The oldest parts of the site date back to the London ditch, the defensive moat situated outside of the Roman and Medieval London Wall. The ditch was filled in and by the seventeenth and eighteenth century we have houses and warehouses on the site. There are hints of different land uses, with a reminder of the close accommodation between animals and people. From the Georgian period and into nineteenth century saw huge upheaval for the site as it was flattened and redeveloped, a fate that appears to be continually repeating itself following Second World War bomb damage and obviously the current construction work.

I don’t want to give too many details of the history as there is a lot for you to discover for yourself, if you have the chance, but I will mention a couple of areas I found particularly interesting. The site is an area that was on the boundaries of the Tower authority and City of London authorities, and there is a possibility the project has turned up evidence of the medieval boundary seen through methods of maintaining the London ditch. I find the subject of the Tower Liberties fascinating and not only is physical evidence of a possible medieval boundary line of interest but also the implications for administration and maintenance of the site. I wonder how much input the Tower had on the continual redevelopments of the area. As part of this, I was intrigued by something that simply featured as a sentence on a panel. The site was first flattened for redevelopment in the Georgian period and it was noted that they have yet to find evidence of a local reaction to this. What happened to the residence? Were there protests? With some much similar activity going on all over London at the moment in the name of regeneration and improved housing, it is a notable reminder how London’s landscape has been continually changing for hundreds of years, and how the voices of the displacement and removed are often lost in these stories.

There is so much scope in this project and it’s great to see so much being done with it. If you have a chance to explore the project’s 100 Minories website you can see there are plans for a work of creative writing, a digital iterative map and importantly the archaeological findings will be shared on an online Archaeological Recording Kit (ARK).

Today is the last day of the pop-up museum and I strongly urge you to pop along if you can. The museum is up from 12pm until 5pm and there are tours at 12:30pm and 3:30pm.

Breaking Histories @ Shuffle Festival Line Up

Breaking HistoriesI’m really excited to announce the line up for Breaking Histories at this year’s Shuffle Festival.

As you’ll see we have a great mix of periods and topics for an event that will be a fantastic showcase of some of the exciting research and projects.

Breaking Histories joins a vibrant and varied festival and for more information and to book tickets please see the Shuffle Festival website:Shuffle Festival 2015 Programme Breaking Histories will be free and you can just turn up, but you should be able to book free tickets soon as well.

Saturday 25 July 2015
History in its Place
Looking at the theme of place these talks will explore the history of human interaction through a London estate at the turn of the century to ancient Roman farms, through the prism of disability and across generations in a socialist feminist choir.
4pm-5:30pm
Breaking Histories 25 July 2015

Love Thy Neighbour: inter-neighbour relations and the syntax of complaint in early 20th century London

Anna Robinson (University of East London)

Asylums and their Communities: Mental Health Patients and their Families during the First World War

Caroline Nielsen (IHR, University of London)

Contested Knowledge in Pliny the Elder’s Natural History.
Bob Taylor (Birkbeck, University of London)
Velvet Fist: Uncovering the History of the London Socialist Feminist Choir
Rosa Kurowska Kyffin (Beyond Past)

 

Saturday 1 August 2015
History Going Places
History is always moving and these talks will explore how, whether it is presented by experimental history trails or focused on the history of migration through the lens of community projects or works of fiction and biography.
4pm-5:30pm
Breaking Histories 1 August 2015

Moving Stories Judith Garfield MBE & Claire Days (Eastside Community Heritage)
Forced Walks: Honouring Esther….an instant case study Richard White (Bath Spa University/Forced Walks)
“but I am Price from Glynmawr” Stephen Woodhams
Stepney: Profile of a London Borough

Samantha Patterson

Shuffle Festival takes place in Tower Hamlets Cemetery Park. The nearest tube is Mile End and the entrance is on Southern Grove. We hope to see you there!

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For more details on the papers please see below.

Saturday 25 July 2015
History in its Place
Looking at the theme of place these talks will explore the history of human interaction through a London estate at the turn of the century to ancient Roman farms, through the prism of disability and across generations in a socialist feminist choir.
4pm-5:30pm

  • Love Thy Neighbour: inter-neighbour relations and the syntax of complaint in early 20th century London
    Anna Robinson (University of East London)

Anna has been researching the history of her flat – a one bedroom former tenement designed by Octavia Hill in 1903. Through this research she stumbled upon some letters of complaint in an archive. Through these letters Anna will reveal the main concerns and antagonisms between neighbours in the early 20th century.

  • Asylums and their Communities: Mental Health Patients and their Families during the First World War
    Caroline Nielsen (IHR, University of London)

In 1914 at the outbreak of the First World War, over 100,000 men, women and children lived in psychiatric asylums. Caroline’s research explores how the First World War fundamentally affected the lives of these vulnerable people and their families.

  • Contested Knowledge in Pliny the Elder’s Natural History.
    Bob Taylor (Birkbeck, University of London)

Bob’s research is focused on a 1st century Roman scientific work called The Natural History. His interests include Roman knowledge and its construction by those who have left no written evidence. He asks how knowledge was generated and contested in a Roman farm, or before a battle in Macedonia, or in a herb-garden.

  • Velvet Fist: Uncovering the History of the London Socialist Feminist Choir
    Rosa Kurowska Kyffin (Beyond Past)

In 2014, Beyond Past, a social enterprise for youth oral history projects, facilitated interviews with the London based socialist feminist choir, Velvet Fist, by a group of year 10 Tower Hamlets pupils. Rosa will explore the history of the choir and reflect upon the potential of young people as community researchers and oral history interviewers.

Saturday 1 August 2015
History Going Places
History is always moving and these talks will explore how, whether it is presented by experimental history trails or focused on the history of migration through the lens of community projects or works of fiction and biography.
4pm-5:30pm

  • Moving Stories
    Judith Garfield MBE & Claire Days (Eastside Community Heritage)

Eastside Community Heritage has accumulated a fascinating collection of oral histories. As part of Shuffle they want to share some of the Jewish, Hungarian and Ugandan stories of migration they have collected. ECH will highlight the importance of oral history in gaining new insights into history and education.

  • Forced Walks: Honouring Esther….an instant case study
    Richard White (Bath Spa University/Forced Walks)

Richard will be discussing a project that used an artist-led performative and socially engaged public walk to transpose a Nazi death march on to the English countryside. This project sought to connect history with place to reveal obscured stories and generate contemporary responses. Richard will discuss the project, how they used social media and subsequent responses.

  • “but I am Price from Glynmawr”
    Stephen Woodhams

South Wales almost uniquely in Europe witnessed net in-migration in the decades around 1900. While the subject of continuous study, in South Wales that history is lived too through biography, the novel and poetry. The talk explores this interweaving of written forms through Raymond Williams’ acclaimed novel Border Country.

  • Stepney: Profile of a London Borough
    Samantha Patterson

Samantha’s focus is on a specifically defined area, Stepney, rather than the vague area of the ‘East End’ which is open to interpretation. Stepney, an iconic London borough situated in the heart of the East End, has many well-known associations and images, but would you knowingly associate them with Stepney?

Breaking Histories @ Shuffle Festival 2015 CFP

Breaking Histories @ Shuffle Festival 2015

Call for Papers

24 July – 1 August 2015

Would you like to share your research with the public and be part of a unique community arts festival?

This is an invitation for papers as part of a new history event during the 2015 Shuffle Festival in East London. Panels would include three 10-15 minute papers and time for general discussion. Panels aim to demonstrate the wide variety of research amongst history PhD students and early career researchers happening now.

The themes for this year’s Shuffle Festival are Migration, Movement and Place. Though a connection to these themes would be useful, what is more important is that the papers reveal a range of historical debates and discussions. Let’s show that historical research is breaking boundaries, breaking conventions and should be breaking news!

The Shuffle Festival is a week-long annual event in Tower Hamlets Cemetery Park. It involves film, science education, storytelling, performance art, architectural installations, walks, food, comedy and music. This year we’re adding history to the list!

Breaking Histories is organised with support from the Raphael Samuel History Centre (RSHC). The RSHC is a research and educational centre devoted to encouraging the widest possible participation in historical research and debate.

 

How to be part of the festival

Please send 100-200 words on your research and why you think it’s important (essentially what you’d like to talk about). It would be great if you could link your research to the festival themes, but it is not essential.

Please send this by Tuesday 26th May to Kathleen.mcilvenna@postgrad.sas.ac.uk

Please include your availability for the festival. We don’t have a set date but we will have an hour slot on a weekday evening or weekend daytime between Friday 24 July and Saturday 1 August 2015.

Links

Raphael Samuel History Centre http://www.raphael-samuel.org.uk/

RSHC New Historians Network https://rshcnewhistorians.wordpress.com/

Shuffle Festival http://www.shufflefestival.com/

RSHC logo 

Drawing from the Foreshore

Sophie Charalambous, 'On the Foreshore'

Sophie Charalambous, ‘On the Foreshore’

The Thames foreshore is a mysterious place. It’s full of history but also dangerous. A potential treasure trove of historical artefacts, but unpredictable, where the sands can give way and the tide can change quickly.

As a historian interested in London I’ve always had an appreciation for the importance of the Thames, but my interest in the foreshore was only really aroused whilst working for the Royal Armouries at the Tower of London. The Tower is one of the most iconic images of the Thames foreshore and through a project looking at archaeological finds I discovered the fascinating history of armouries and gun manufacture that took place just in-front of the Tower, on the foreshore. In this project I worked with four amazing volunteers to repackage and catalogue this collection of artefacts that had not been touched since the 1980s. I became fascinated and blogged about it for the Royal Armouries here, and as part of the Day of Archaeology here.

One thing I love about history is that when you find something that intrigues you, it’s likely that you’ll find a whole group of people equally, if not more, curious that you. I subsequently came across the Thames Discovery Programme, who run FROG, and, of course, the Mudlarks.

More recently, I’ve discovered an artist with an obvious fascination with the foreshore. Her name is Sophie Charalambous and she currently has an exhibition called ‘From the Foreshore’ on at  Jessica Carlisle until 8 March.

Sophie Charalambous, 'Pageant'

Sophie Charalambous, ‘Pageant’

Jessica Carlisle, who is curating and hosting the show, has described Sophie’s work as a ‘poetic interpretation’ of the foreshore, and I agree that the images appear to capture that magical quality of the foreshore. They are almost wistful, portraying a single moment somewhere between the past and present day.

If you’re keen to know more, Sophie Charalambous will be giving an artist’s talk on Saturday 7 March at 3pm. The gallery is on Kinnerton Street, just off Knightsbridge, and the exhibition runs until 8 March.

Radical history today: come and meet the Raphael Samuel History Centre

kathleenmcil:

I’m going to be at this on Monday, so please do come along if you’re interested in the RSHC New Historians’ Network!

Originally posted on RSHC New Historians' Network:

The Raphael Samuel History Centre is a four-way partnership between Queen Mary, Birkbeck, the University of East London, and Bishopsgate Institute. In the spirit of its founder – the socialist historian Raphael Samuel (1934-1996) – the Centre is dedicated to fostering radical history in and beyond the academy. Its members work in many areas, from London history and ‘heritage’ studies to histories of sexuality, memory studies, psychoanalytical history, history and public policy, and the history of feminism. We have many postgraduates among our members.

Come and meet us! We are holding an open forum on Feb 9th at 5.30 pm in the Arts 2 Building, 4th floor Senior Common Room (Queen Mary UL, Mile End Road, London E1 4NS).

Barbara Taylor (QMUL director of the RSHC) will speak briefly about the Centre’s work, followed by short presentations from two or three of our pgr members, then general discussion. Wine and…

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The Post Office in Everyday Lives in the First World War

“Last Post” panel with my research!

I’ve been researching the Post Office and its workers for a few years now. This research has obviously focused, prominently, on the nineteenth century and my PhD. Yet, thanks to the collaborative nature of my PhD, I’m able to venture into other aspects and time periods as requested by the British Postal Museum and Archive (BPMA).

Last year, unsurprisingly, I started to looking into the Post Office during the First World War. Due to the size and nature of the Post Office at this time (largest single employer in the UK, and the “friendly” face of government in every town and city) it has been fascinating.My research took me into the lives of the workers as I found reminiscences and oral histories and could compared these to the official records and reports. Experiences were varied and complex but involved men, women, boys and girls from all over the country.

As a result of my research I contributed to the ‘Last Post” exhibition displayed in physical form at Ironbridge, and also online here. I also gave a paper at the Anglo-American conference and a longer paper at the BPMA as part of their public talks programme.You can download my talk, along with some of the other fascinating talks in the series, as a podcast from here.

Most recently I’ve written a short blog for the new website for the ‘Everyday Lives in the First World War’ Research Centre. You can find it here. This is an amazing project that will look to further our understanding of what life was like at home for people during the conflict, from food to theatre, it’ll cover all sorts of topics and work with a range of groups and people in the process. You can find out more about the centre here, and do contact them if you’d like to get involved!

So, 2014 might be over, but it’s only the start of the First World War centenary, so keep an eye on the ‘Everyday Lives’ project for events, and if you’re interested in hiring the “Last Post” exhibition do contact there BPMA. You can find out more here.

I’m currently doing some work the BPMA on their war memorials collection, and I look forward to sharing more about that at a later date!

MuseomixUK 2014: Some reflections and a chart

MuseomixUK 2014 6-9 November 2014

MuseomixUK 2014 6-9 November 2014

It’s over. After months of planning, countless emails and a few trips to Derby, it’s over. MuseomixUK 2014 ran from Friday 7 November through to Sunday 9 November with a showcase of the prototypes on Monday 10 November. And what a weekend!

Lots of carbs and caffeine saw us through the long days and I’ve been in awe of what the teams made. It was odd not being on a team this year, but it was nice to be allocated to one team to keep them informed of their deadlines and help progress where I could. This meant I didn’t really feel ownership of any of the prototypes, but I did get a better idea of what was going on elsewhere rather than being in the bubble of a team. I was also looking after evaluation which meant I got to work with Derby Museum, as well as our student volunteers, to develop a visitor evaluation. I was also attempting to monitor the changing emotions of the participants, but more of that later.

Team “Museums as Conversations” see their Tumblr here: http://museumasconversation.tumblr.com/

Firstly, I want to mention the team I worked with. They were ‘Museums as Conversations’, and as a facilitator I was very fortunate that the team worked very well together from the start. I’m not saying it was plain sailing from the get go. Saturday morning was a particular challenge as the team wrestled with their ideas and how they could be realised into a physical prototype. In that, I am also grateful to Dominic and Fraser from Mixed Reality (one of our sponsors) who helped talk them through the variety of tech possibilities. But I have to say that once that got their idea, and agreed, I did very little. I helped put together a to do list, gave them jobs and off they went. I was occasionally asked for tape or post-it notes and had a sing-along, but apart from that they got on with it. Amazing!!

Museums As Conversations map and projection

Museums As Conversations map and projection

And what did they make? It was a tactile 3D map of Derby with particular places of interest available to be selected by pushing them down on to a touchscreen. This activated a projection displaying historic information on the building and a twitter feed that represented memories of that location submitted by the public.

The central point of the prototype was that it stimulated and invited memories from the public.Consequently the group envisaged that a final product could have an interface that allowed people to contribute memories there, through a keyboard etc. The history of locations could also be connected to museum objects, so visitors could simply enjoy learning the history and seeing personal connections or use this as a stimulus for their memories or thoughts. Beautiful!

The other teams were also impressive and it would take me too long to explain them all, so if you want to know more please see their Tumblr sites:
http://museomixuk.tumblr.com/teams

Before I mention the evaluation process I was also looking at over the weekend I should also say a huge thank you to Dr Cath Feely and her five students from Derby University who gave up their time to help us. There were times when there wasn’t much to do, but having them there for the sudden ‘we need this’, ‘can you get this’ and as roving reporters was brilliant. They were also essential to putting together the brochure and tour for the public on the Monday, and they led some tours on the Monday and helped me monitor and think about evaluation. One of the students was keeping blog over the weekend, see here.

Talking about evaluation, the important part of this is yet to come, and we’ll be sending out a post-event evaluation to participants soon. This will be the most important part for our feedback for our sponsors, the Arts Council, but we have also done a couple of other this. A pre-event evaluation for a baseline of thoughts and feelings. Also, over the weekend I put together a visitor evaluation for the public on Monday. A quick look at this shows that the prototypes were very positively received and words to describe the exhibits included:
Intriguing; Fun; Interactive; Tactile; Thought-provoking; Alive; Inspirational; Innovative; Crazy; Left-field; Exciting and Future!

I was also using emotion boxes to attempt to monitor the emotional rollercoaster of MuseomixUK.

Emotion Boxes at MuseomixUK - they always started with one small block to encourage others

Emotion Boxes at MuseomixUK – they always started with one small block to encourage others

This is probably not the most scientific method, but from the feedback of a few participants over the weekend, many found them therapeutic. Many people called for a tired box, I said I knew they were all tired and didn’t need a box to tell me, and other said the size of the blocks really mattered to them, so they’d put in a large block for inspired and a small one in frustrated. I hadn’t planned to account for the volume of the boxes, but may include it an anecdotal in my final evaluation. So far I’ve standardised the results and made this graph. What do you think??

MuseomixUK 2014 Emotion Boxes Standardised Graph

MuseomixUK 2014 Emotion Boxes Standardised Graph

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