Breaking Histories @ Shuffle Festival 2015 CFP

Breaking Histories @ Shuffle Festival 2015

Call for Papers

24 July – 1 August 2015

Would you like to share your research with the public and be part of a unique community arts festival?

This is an invitation for papers as part of a new history event during the 2015 Shuffle Festival in East London. Panels would include three 10-15 minute papers and time for general discussion. Panels aim to demonstrate the wide variety of research amongst history PhD students and early career researchers happening now.

The themes for this year’s Shuffle Festival are Migration, Movement and Place. Though a connection to these themes would be useful, what is more important is that the papers reveal a range of historical debates and discussions. Let’s show that historical research is breaking boundaries, breaking conventions and should be breaking news!

The Shuffle Festival is a week-long annual event in Tower Hamlets Cemetery Park. It involves film, science education, storytelling, performance art, architectural installations, walks, food, comedy and music. This year we’re adding history to the list!

Breaking Histories is organised with support from the Raphael Samuel History Centre (RSHC). The RSHC is a research and educational centre devoted to encouraging the widest possible participation in historical research and debate.

 

How to be part of the festival

Please send 100-200 words on your research and why you think it’s important (essentially what you’d like to talk about). It would be great if you could link your research to the festival themes, but it is not essential.

Please send this by Tuesday 26th May to Kathleen.mcilvenna@postgrad.sas.ac.uk

Please include your availability for the festival. We don’t have a set date but we will have an hour slot on a weekday evening or weekend daytime between Friday 24 July and Saturday 1 August 2015.

Links

Raphael Samuel History Centre http://www.raphael-samuel.org.uk/

RSHC New Historians Network https://rshcnewhistorians.wordpress.com/

Shuffle Festival http://www.shufflefestival.com/

RSHC logo 

Drawing from the Foreshore

Sophie Charalambous, 'On the Foreshore'

Sophie Charalambous, ‘On the Foreshore’

The Thames foreshore is a mysterious place. It’s full of history but also dangerous. A potential treasure trove of historical artefacts, but unpredictable, where the sands can give way and the tide can change quickly.

As a historian interested in London I’ve always had an appreciation for the importance of the Thames, but my interest in the foreshore was only really aroused whilst working for the Royal Armouries at the Tower of London. The Tower is one of the most iconic images of the Thames foreshore and through a project looking at archaeological finds I discovered the fascinating history of armouries and gun manufacture that took place just in-front of the Tower, on the foreshore. In this project I worked with four amazing volunteers to repackage and catalogue this collection of artefacts that had not been touched since the 1980s. I became fascinated and blogged about it for the Royal Armouries here, and as part of the Day of Archaeology here.

One thing I love about history is that when you find something that intrigues you, it’s likely that you’ll find a whole group of people equally, if not more, curious that you. I subsequently came across the Thames Discovery Programme, who run FROG, and, of course, the Mudlarks.

More recently, I’ve discovered an artist with an obvious fascination with the foreshore. Her name is Sophie Charalambous and she currently has an exhibition called ‘From the Foreshore’ on at  Jessica Carlisle until 8 March.

Sophie Charalambous, 'Pageant'

Sophie Charalambous, ‘Pageant’

Jessica Carlisle, who is curating and hosting the show, has described Sophie’s work as a ‘poetic interpretation’ of the foreshore, and I agree that the images appear to capture that magical quality of the foreshore. They are almost wistful, portraying a single moment somewhere between the past and present day.

If you’re keen to know more, Sophie Charalambous will be giving an artist’s talk on Saturday 7 March at 3pm. The gallery is on Kinnerton Street, just off Knightsbridge, and the exhibition runs until 8 March.

Radical history today: come and meet the Raphael Samuel History Centre

kathleenmcil:

I’m going to be at this on Monday, so please do come along if you’re interested in the RSHC New Historians’ Network!

Originally posted on RSHC New Historians' Network:

The Raphael Samuel History Centre is a four-way partnership between Queen Mary, Birkbeck, the University of East London, and Bishopsgate Institute. In the spirit of its founder – the socialist historian Raphael Samuel (1934-1996) – the Centre is dedicated to fostering radical history in and beyond the academy. Its members work in many areas, from London history and ‘heritage’ studies to histories of sexuality, memory studies, psychoanalytical history, history and public policy, and the history of feminism. We have many postgraduates among our members.

Come and meet us! We are holding an open forum on Feb 9th at 5.30 pm in the Arts 2 Building, 4th floor Senior Common Room (Queen Mary UL, Mile End Road, London E1 4NS).

Barbara Taylor (QMUL director of the RSHC) will speak briefly about the Centre’s work, followed by short presentations from two or three of our pgr members, then general discussion. Wine and…

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The Post Office in Everyday Lives in the First World War

“Last Post” panel with my research!

I’ve been researching the Post Office and its workers for a few years now. This research has obviously focused, prominently, on the nineteenth century and my PhD. Yet, thanks to the collaborative nature of my PhD, I’m able to venture into other aspects and time periods as requested by the British Postal Museum and Archive (BPMA).

Last year, unsurprisingly, I started to looking into the Post Office during the First World War. Due to the size and nature of the Post Office at this time (largest single employer in the UK, and the “friendly” face of government in every town and city) it has been fascinating.My research took me into the lives of the workers as I found reminiscences and oral histories and could compared these to the official records and reports. Experiences were varied and complex but involved men, women, boys and girls from all over the country.

As a result of my research I contributed to the ‘Last Post” exhibition displayed in physical form at Ironbridge, and also online here. I also gave a paper at the Anglo-American conference and a longer paper at the BPMA as part of their public talks programme.You can download my talk, along with some of the other fascinating talks in the series, as a podcast from here.

Most recently I’ve written a short blog for the new website for the ‘Everyday Lives in the First World War’ Research Centre. You can find it here. This is an amazing project that will look to further our understanding of what life was like at home for people during the conflict, from food to theatre, it’ll cover all sorts of topics and work with a range of groups and people in the process. You can find out more about the centre here, and do contact them if you’d like to get involved!

So, 2014 might be over, but it’s only the start of the First World War centenary, so keep an eye on the ‘Everyday Lives’ project for events, and if you’re interested in hiring the “Last Post” exhibition do contact there BPMA. You can find out more here.

I’m currently doing some work the BPMA on their war memorials collection, and I look forward to sharing more about that at a later date!

MuseomixUK 2014: Some reflections and a chart

MuseomixUK 2014 6-9 November 2014

MuseomixUK 2014 6-9 November 2014

It’s over. After months of planning, countless emails and a few trips to Derby, it’s over. MuseomixUK 2014 ran from Friday 7 November through to Sunday 9 November with a showcase of the prototypes on Monday 10 November. And what a weekend!

Lots of carbs and caffeine saw us through the long days and I’ve been in awe of what the teams made. It was odd not being on a team this year, but it was nice to be allocated to one team to keep them informed of their deadlines and help progress where I could. This meant I didn’t really feel ownership of any of the prototypes, but I did get a better idea of what was going on elsewhere rather than being in the bubble of a team. I was also looking after evaluation which meant I got to work with Derby Museum, as well as our student volunteers, to develop a visitor evaluation. I was also attempting to monitor the changing emotions of the participants, but more of that later.

Team “Museums as Conversations” see their Tumblr here: http://museumasconversation.tumblr.com/

Firstly, I want to mention the team I worked with. They were ‘Museums as Conversations’, and as a facilitator I was very fortunate that the team worked very well together from the start. I’m not saying it was plain sailing from the get go. Saturday morning was a particular challenge as the team wrestled with their ideas and how they could be realised into a physical prototype. In that, I am also grateful to Dominic and Fraser from Mixed Reality (one of our sponsors) who helped talk them through the variety of tech possibilities. But I have to say that once that got their idea, and agreed, I did very little. I helped put together a to do list, gave them jobs and off they went. I was occasionally asked for tape or post-it notes and had a sing-along, but apart from that they got on with it. Amazing!!

Museums As Conversations map and projection

Museums As Conversations map and projection

And what did they make? It was a tactile 3D map of Derby with particular places of interest available to be selected by pushing them down on to a touchscreen. This activated a projection displaying historic information on the building and a twitter feed that represented memories of that location submitted by the public.

The central point of the prototype was that it stimulated and invited memories from the public.Consequently the group envisaged that a final product could have an interface that allowed people to contribute memories there, through a keyboard etc. The history of locations could also be connected to museum objects, so visitors could simply enjoy learning the history and seeing personal connections or use this as a stimulus for their memories or thoughts. Beautiful!

The other teams were also impressive and it would take me too long to explain them all, so if you want to know more please see their Tumblr sites:
http://museomixuk.tumblr.com/teams

Before I mention the evaluation process I was also looking at over the weekend I should also say a huge thank you to Dr Cath Feely and her five students from Derby University who gave up their time to help us. There were times when there wasn’t much to do, but having them there for the sudden ‘we need this’, ‘can you get this’ and as roving reporters was brilliant. They were also essential to putting together the brochure and tour for the public on the Monday, and they led some tours on the Monday and helped me monitor and think about evaluation. One of the students was keeping blog over the weekend, see here.

Talking about evaluation, the important part of this is yet to come, and we’ll be sending out a post-event evaluation to participants soon. This will be the most important part for our feedback for our sponsors, the Arts Council, but we have also done a couple of other this. A pre-event evaluation for a baseline of thoughts and feelings. Also, over the weekend I put together a visitor evaluation for the public on Monday. A quick look at this shows that the prototypes were very positively received and words to describe the exhibits included:
Intriguing; Fun; Interactive; Tactile; Thought-provoking; Alive; Inspirational; Innovative; Crazy; Left-field; Exciting and Future!

I was also using emotion boxes to attempt to monitor the emotional rollercoaster of MuseomixUK.

Emotion Boxes at MuseomixUK - they always started with one small block to encourage others

Emotion Boxes at MuseomixUK – they always started with one small block to encourage others

This is probably not the most scientific method, but from the feedback of a few participants over the weekend, many found them therapeutic. Many people called for a tired box, I said I knew they were all tired and didn’t need a box to tell me, and other said the size of the blocks really mattered to them, so they’d put in a large block for inspired and a small one in frustrated. I hadn’t planned to account for the volume of the boxes, but may include it an anecdotal in my final evaluation. So far I’ve standardised the results and made this graph. What do you think??

MuseomixUK 2014 Emotion Boxes Standardised Graph

MuseomixUK 2014 Emotion Boxes Standardised Graph

Waiting for MuseomixUK 2014

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I’m sitting in a cafe in St Pancras station waiting for a train to Derby. I booked a cheap train so now have some time to grab some food, check out twitter and maybe do some work. I say maybe because I’m actually writing this blog, I’m hoping it will be some sort off therapy to understand my feelings of participating in MuseomixUK again. If your been following my blog for a while you may remember the monumental weekend last November when I became a Museomixer. You can find my diary of the weekend here. If you don’t want to read it, I can sum it up as an emotional rollercoaster. There were massive highs and real lows (my team almost fell apart), I was actually nervous about keeping the diary, very aware that it was a very one-sided account of a weekend that was very much about a team. This year I’m looking after evaluation and also going to help facilitate teams to understand the process and meet their deadlines. I’m really excited about this, but also very nervous. It feels like a lot of responsibility but I can’t wait to try and get a grip on how MuseomixUK affects others. By preparing for the evaluations I feel I’ve been able to get to grips with what lies at the heart of MuseomixUK. It’s hard to put into words but as an academic I’ve tried and I came up with this:

MuseomixUK aims to challenge how people view museums and themselves through openly promoting trans-disciplinary collaboration and building a supportive community.

I realise I haven’t talked about what will happen over the weekend, but that doesn’t really matter at this stage. There is obviously a plan but i think the weekend will evolve as we work and create together. That’s another terrifying aspect, I don’t really know what the weekend holds: what personalities, what ideas, what technology what creations!!! I hope to blog again about my experience and my findings, and I hope you’re just as excited as me.

The Revolution will be Digitised: part 1

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We are quite clearly living through a revolution, the digital revolution. We can’t move for it, it’s infiltrated into so many parts of our working lives and leisure we’ve almost stopped being amazed or confounded by the possibilities or the consequences.

Almost, I say because I have been to the ‘Digital Revolution’ exhibition at the Barbican in London. My strongest feeling about this exhibition was that it was a lot of fun. From playing Tetris on an original Game Boy and watching how the film Gravity was made, to seeing my shadow sprout wings and shooting robots with my mind. I had a lot of fun. And that was only the first part of the exhibition!

The exhibition is spilt into three areas across the building and the first section is by far the longest with the most to say. It was a real novelty to be able to not only see but use and play with original games consuls, and as you can probably tell the Game Boy was my favourite. Why? Because I had one of course! Though novelty and nostalgia are not the only interesting aspects of the exhibition and the development of games and art feels pioneering and democratic. The best example of this has to be the system that was to become the internet, Tim Berners-Lee’s Enquire system. It doesn’t look like much but just look where we are now!

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The exhibition moves into the present and consequently the future as the screens slowly disappear and the digital world becomes more reactive. The big finale is a room in the basement which is dark a part from a few beams of light. It is quickly apparent these are more than spotlights, they are lasers and they dance and explode at your touch – so much fun!

All of this was exciting and though the exhibition focused on games and art it made me think about what these developments could mean for the wider world. The technology linked to the game using eye movement and brain power appears ideal for people with severe paralysis. Could the artwork that gave my shadow wings be used to any benefit in discussing issues surrounding body-image or self-image?

I have no idea. What I do know is that it got me excited about the possibilities for museums and how the digital revolution can help us look at the world, objects and ourselves a little differently. Museums are using digital to increasing effect and it is becoming clear that interactives no longer need to be these touchscreens on gallery, they can be much more.

I’m obviously not the first to think this and there is already great work being done to explore the possibilities. The V&A commissioned a games designer in-residence, whose final game should be released soon. I’m totally fascinated by the Battle of Bannockburn heritage centre where visitors are emersed in the history of the battle, its characters as well as its arms and armour then invites you to play out your own Bannockburn. Derby Museums have taken the ethos of creating and collaborating to it’s core in the Re:Make Museums project at the Derby Silk Mill, asking visitors to be creators and help shape the museum, they’ve even agreed to host MuseomixUK this year!

I think museums can demonstrate some of the best ways the digital revolution can work, encouraging collaborative and inclusive participation. I also think they are well placed to discuss the darker side, the issues surrounding surveillance, abuse, theft, privatisation of data and civil liberties. The issues that are not necessarily easily understood but are of increasing importance as we spend more of our working and leisure time in the digital realm. But let’s end on a positive note and get excited about the future of digital and the future of museums! Long live the revolution!

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